“American Works on Paper” to Travel to Westfield, MA

Abraham Walkowitz - Women, 1904

Abraham Walkowitz, "Women," 1904, graphite and gouache on paper, 14-1/4 x 11-1/2 inches

Lisa N. Peters

We are lending thirty-two works from American Works on Paper, 1800 to the Present to the Arno Maris Gallery, Ely Hall, Westfield State College, Massachusetts (June 26-September 15).  This show is part of the Masters Festival of the Arts, a summer-long festival that includes art exhibitions as well as lectures, theater productions, and concerts.

Among the many wonderful images, I have a few favorites.  Alfred T. Bricher’s Sails on the Horizon, Cape Ann, Massachusetts (1870s-80) captures a desolate coastline where ships in the distance heighten our sense of being alone.  Abraham Walkowitz’s Women (1904) conveys the way that women crowded together, probably in an urban environment, are acutely aware of each other while pretending they’re minding their own business.  The sidelong glances are very subtle!  Eda Sterchi expresses a different aspect of women’s experience.  In her sensitively rendered pastel of ca. 1916, Two Women in an Interior, one woman reads while the other sews, the two comfortably enjoying just being in each others’ company.  The crowded bustle of street vendors on New York’s Lower East Side of an earlier time is characterized in the dense forms of James Daugherty’s Hester Street (New York) (1933).   Read the rest of this entry »

Dan Christensen at the Santa Barbara Museum of Art

Dan Christensen - Serpens, 1968

Dan Christensen, "Serpens," 1968, acrylic on canvas, 112 x 173-1/2 inches

Lisa N. Peters

We recently received a note from Julie Joyce, curator of contemporary art at the Santa Barbara Museum of Art, letting us know that Dan Christensen’s Rana (1968) has been included the museum’s current exhibition, Colorscope: Abstract Painting, 1960-1979 (on view March 20-August 15, 2010).

Consisting of works mostly from the museum’s permanent collection, the exhibition considers abstract painting in the era when artists shifted their focus from abstract expressionism’s surface manipulation to a new concentration on nuances of color and lighter, more lyrical types of handling. The show brings to the fore such aesthetic modes as post-painterly abstraction, color field painting, lyrical abstraction, hard-edge, and op art.  These approaches followed each other in such rapid succession that the critics could barely manage to label them before the artists using them moved on, creating new stylistic variations.  As the artists carried on dialogues among themselves in which they rethought  old rules and piggybacked on each other’s ideas, they constantly challenged the boundaries of painting.    Read the rest of this post on the Spanierman Modern blog.

Also read these Spanierman Modern blog posts on Dan Christensen:

Video: Elaine Grove on Dan Christensen’s Plaid Paintings

Art Forum Review on Dan Christensen

Plaid Puzzlement …The Paintings of Dan Christensen

Plaid Puzzlement …The Paintings of Dan Christensen

Lisa N. Peters
When we were helping the Kemper Museum of Contemporary Art in Kansas City, Missouri, in organizing the retrospective of the work of Dan Christensen that opened there last May, it emerged that a group of paintings Christensen created from 1969 to 1971 stood out and were different, or so it seemed. . . .

These large (many wall-size) geometrically conceived canvases with discreet flat areas of color, appeared a departure in Christensen’s oeuvre from the freeform spray gun works that preceded them as well as from his later work, in which he pushed automatist methods with the spray gun to their limits in blurred circles, infinite lozenges, swirling ribbons, and rich drizzle marks that seem to ricochet off the surface. The paintings with their clean horizontal and vertical stripes drew the attention of everyone who saw them, maybe because instead of having the stillness of so much hard-edged geometric painting, they seemed to project a glowing energy.  Read the rest of this post on the Spanierman Modern blog.

DAN CHRISTENSEN: THE PLAID PAINTINGS opens tonight!

Join us TONIGHT from 6 to 8 pm at Spanierman Modern for an opening reception for Dan Christensen: The Plaid Paintings 
Read more on The Artist.
Read the Press Release.  

View the Exhibition Online.

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Dan Christensen at The Sheldon Museum of Art

Christensen enthusiasts: take note!
Dan Christensen: Forty Years of Painting which opened at the Kemper Museum of Contemporary Art, Kansas City, Missouri, in May will move to the Sheldon Museum of Art, University of Nebraska, Lincoln on October 23, 2009 and remain on view until the end of January, 2010.
Dan Christensen - Five or Six P.M.
The show’s press release states: “This survey of his paintings documents [Christensen’s] never-ending quest to understand the possibilities of color, paint, and pictorial space. Often placed within the Color Field movement, Christensen’s experimentation with tools and techniques make him resistant to any one label or category but do place him among this country’s most ambitious abstract and gestural painters. Art critic Clement Greenberg called his work ‘post-painterly abstraction’ and said, in 1990, ‘Dan Christensen is one of the painters on whom the course of American art depends.’”

A catalogue, by the noted art historian Karen Wilkin, accompanies the exhibition.
Another exhibition of the artist’s work, Dan Christensen: The Plaid Paintings, will be on view at Spanierman Modern, New York from October 13 to November 14, 2009.

Christensen’s plaids, such as Night Delight at left, were described by Jim Monte, curator at the Whitney Museum in the 1970s, as offering “a very unique contribution to the history of pure abstraction…a freshly conceived approach to geometric configuration, a necessary antidote to that all-consuming dullness” of much of the Minimal painting of the 1960s and 1970s.

Additional information on this exhibition will be available soon.

Read more on Dan Christensen.

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