Sarah Lamb – Artist Exhibition

PRESS RELEASE
Sarah Lamb
November 10 – December 10, 2011
Contact: David Major (davidmajor@spanierman.com)
Gallery Hours: Monday-Saturday, 9:30am-5:30pm

Sarah Lamb - Sunflowers, 2011

Sarah Lamb, "Sunflowers," 2011, oil on linen, 23 x 25-7/8 inches

Spanierman Gallery is pleased to announce the opening on November 10, 2011 of Sarah Lamb, presenting new still lifes in the venerable tradition of the eighteenth-century French painter Jean-Baptiste-Siméon Chardin and the seventeenth-century Dutch and Flemish painters of the Golden Age.  Depicting humble forms of everyday life bathed in a delicately varied light, Sarah Lamb’s paintings capture the rhythmic cadences of her motifs, revealing their beauty, while reminding us of their worldly transience.

Lamb honed her art by absorbing the lessons of European academic painting.  She began her training in Italy and at L’Ecole Albert Defois in Les Cerqueux sous Passavant, in France’s Loire Valley. Moving to New York in 1996, she trained with Jacob Collins at his Water Street Atelier during its early years. She also attended New York’s Art Students League and received instruction from Sarah Brown in Atlanta.

Sarah Lamb’s still lifes remind us to stay aware and awake to the life around us. As the British-born art critic, John A. Parks, noted recently: “Sarah Lamb brings to her work a robustly sensual grasp of the world. Her keenness of eye and joyful brush make the whole enterprise feel freshly alive as she reminds us what the really wonderful things in life are.”

Lamb was featured in a recent solo exhibition, held at the New Britain Museum of American Art, Connecticut, from August 13 to October 30, 2011.

View the exhibition online

View the exhibition brochure
PDF download times may vary

From the Archives: Interview with Betty Parsons

Betty Parsons

Betty Parsons

In 1977, Helene Aylon, friend of Betty Parsons, interviewed the then seventy-seven year old artist; the interview appeared that same year in Woman Art Magazine.

This interview, of which an excerpt is posted below, includes conversation between Parsons and Aylon which touches on everything from the artist’s relationship with other female artists to her views on Abstract Expressionism (and many topics in between).

This is an enlightening, empowering interview—and certainly well worth a read!

Read the full interview on our website.

HA: You knew Martha Graham, Marlene Dietrich, and after all, you played tennis with Greta Garbo!

BP: Two or three times. Interesting the way I met her. I was asked on Christmas Eve by her ghost writer, Salka Fiertel. She said, “Come over and we are going to dress the tree.” I got there and Salka said, “go up to the attic and bring down a great big box of Christmas dressings…” So I went up there, and Greta and I stared at each other over the top of the box.

Read the rest of this post on the Spanierman Modern blog.

The Abstractions of Marion Huse

Marion Huse - Sailboats (Abstract Blues)

Marion Huse (1896-1967), "Sailboats (Abstract Blues)," oil on canvas, 25 x 30 in.

Carol Lowrey

In this posting, I thought I’d introduce you to the spirited abstractions of Marion Huse (1896-1967), a talented painter, teacher and graphic artist associated with art life in New England during the mid-twentieth century.  I wasn’t aware of who she was and what she’d accomplished over the course of her nearly fifty year career until several of her paintings arrived at the gallery and our sales staff tapped the research department for biographical information and analytical essays on her work.  The Huse assignment came to me and I subsequently began the hunt for information, consulting the standard artists’ dictionaries and related reference sources before proceeding to library and archival sources.  I ultimately came across a catalogue published by the Brockton Art Museum in 1985––Marion Huse: An Artist’s Evolution––the only publication thus far to provide a comprehensive examination of her life and career.
Read the rest of this entry »

Charlotte Park’s Paintings: Singled Out in the Los Angeles Times

Charlotte Park - Zachary, ca. 1950s-60s

Charlotte Park (b. 1918), "Zachary," ca. 1950s-60s Oil on canvas, 36 x 47 inches

Lisa N. Peters

Of the more than 130 international exhibitors at the Fifteenth Annual Los Angeles Art Show, on view January 20-24, 2010, Spanierman Modern’s exhibition of the dynamic abstract paintings of Charlotte Park was one of few displays that caught the eye of Christopher Knight, art critic for the Los Angeles Times.  In a blog post on January 22, Knight described the quality of the fair as “disappointingly low,” but noted that “if you poke around you can find some things to like.”  Of the five examples Knight gave, four were individual works: an abstraction from 1968 by Robert Mangold’, an installation by Meeson Pae Yang, a video by Pablo Uribe from “guest country” Uruguay, and a painting by Henrietta Shore.  The only exhibition mentioned by Knight was that of Park of whom he wrote:

Charlotte Park (b. 1918), a little-known Abstract Expressionist painter from New York, has been enjoying a resurgence of interest in her works of the 1940s, ’50s and ’60s. A large selection of muscular, often chromatically brilliant paintings on canvas and paper show why. (Spanierman Modern)

Read the rest of this post on the Spanierman Modern blog.

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